While all these advances were being made, the art of portraiture had not stood still. Its popularity had only increased as the years went on. Titian was too busy with commissions for foreign princes to supply the great demand there was in Venice alone. Tintoretto painted portraits not only with much of the air of good breeding of Titian's likenesses, but with even greater splendour, and with an astonishing rapidity of execution. The Venetian portrait, it will be remembered, was expected to be more than a likeness. It was expected to give pleasure to the eye, and to stimulate the emotions.
Tintoretto was ready to give ample satisfaction to all such expectations. His portraits, although they are not so individualized as Lotto's, nor such close studies of character as Titian's, always render the man at his best, in glowing health, full of life and determination. They give us the sensuous pleasure we get from jewels, and at the same time they make us look back with amazement to a State where the human plant was in such vigour as to produce old men of the kind represented in most of Tintoretto's portraits.
With Tintoretto ends the universal interest the Venetian school arouses; for although painting does not deteriorate in a day any more than it grows to maturity in the same brief moment, the story of the decay has none of the fascination of the growth. But several artists remain to be considered who were not of the Venetian school in the strict sense of the term, yet have always been included within it.
Renaissance Art, Renaissance Painting, Giorgione, Italian Art, Lotto, Giotto, The School of Leonardo, Raphael, Tintoretto, Paolo Veronese, Velasquez, Longhi, Massacchio, Verocchio, Naturalism, Duccio, Simone Martini, Renaissance Painters, Donatello, Pisanello, Liberale, Boticelli, Melozzo da Forli, Luca Signorelli, Michelangelo, Butinole, Zenalle, Bramante, Bramantino, Correggio, Leoardo da Vinci, Tactile Values, Humanism, The School of Verona, The Umbrian School, The School of Perugia, Domenico Brusasorci, Vincenzo Foppa, Milanese Art, Venetian Art, The School of Piedmont, Florence Art